All young talents need their big break, their discovery, their ticket into the big league, and we want to be the ones to give them that.
We believe that young, fresh talent is the future of our industry and we welcome it with open arms.
The Bolia Design Awards was created to do just that, and we’re proud to say that we’ve not just found many of our own designers through this initiative – we’ve helped a wealth of young hopefuls into a competitive but amazing world of furniture design too.
It’s not just about recognition and honour, it’s also a healthy grant of €13,500 to get them started. And did we mention the chance to have your designs put into production and become a member of the world class Bolia Design Team?
Submit your innovative Scandinavian design ideas to us and you might take part in our new collection.
With good design comes great responsibility and we're not just fanatical about ensuring our collections are beautiful. We're also fanatical about how they come to the world. We are discerning when it comes to the materials, craftsmanship and the environment, and for us, New Scandinavian Design isn't just about what we do, it's also about where we do it. The majority of our collection is designed and manufactured in Denmark and Europe.
We want to increase the use of organic and recyclable materials in our product development and extend the lifetime of every single design. Our goal is quite simply to create beautiful and clean products that are designed to last for many years.
New Scandinavian Design is the playground that defines our style and identity. We love new classics, creative icons make us feel euphoric, and we fall in love with aesthetic yet functional designs that enhance and inspire our everyday lives. Oh yes, and we especially love organic, sustainable materials and good craftsmanship with a strong focus on details.
We look forward to seeing your ideas for a new, challenging, well-thought-out design. Be creative, bold and ambitious – we always are.
The jury will select the 3 best and most creative designs. In addition to the jury's choice, there will also be a customer prize, decided by a vote in which our followers get the opportunity to choose their favourite design.
Winning cool cash is always nice, but it's only one of the things you can win when you enter the Bolia Design Awards. The selected designs are also given the chance to be put into production and end up in Bolia's collection.
1st prize - DKK 40,000 (€5,400)
2nd prize - DKK 30,000 (€4,000)
3rd prize - DKK 20,000 (€2,700)
Customer prize - DKK 10,000 (€1,350)
'NOMAD' by Johannes Lindner
'NANASHI' by Malgorzata Hinz
'10:1' by Christian Hammer Juhl
'Bean' by Gunnar Nygren
'Pebble' by Santiago Bautista
'0.6 Chair' by Joachim Froment
'Latti' by Ewa Kurowska
'Hibernation Rug' by Sofie Genz
Europe and North America account for about two thirds of the global production and consumption of sawnwood (which hovers at 5OO million cubic meters a year) with an estimated $40 trillion according to an FAO report. In the last 300 years we have cut about 40% of global forests following WWF. Based on historical trends, the production and consumption of wood products are expected to increase. OECD speak about a Wood harvesting grew by 20% between 1980 and 2008. Across the board, wooden chairs weigh between 6 and 15kg, which means that it is important to design long-lasting products and reduce the quantity of wood per product to counterbalance this market trend.
How to design strong wooden furniture with a minimum amount of wood? Laminated wood has been developed in the 1950s with Eames chairs and has shown great mechanical improvements for decades since. However, wood consumption since the 1950s has also drastically increased. We need to improve and design better with less material. 0.6 Chair is a dining chair and café chair with a new process of laminated wood. A combination of wood veneer and carbon fibre fabric highly reinforces the whole structure and brings down the thickness of this chair to only 0.6mm. Structural curves and angles in the design help this chair being incredibly strong and only requires 3 to 5 wooden veneers (depending of the thickness of the chosen veneer) with a total weight of under 2kg.
The aim of this project was to create a piece with a minimum of material, a product often used but that manifest the fragility of our ecosystem and the preciosity of material. This chair is designed to be light, robust and that last longer.
Christian Hammer Juhl
10: 1 is a series of furniture consisting of a sofa, a lounge chair and a stool. The furniture is made from special dense foam that allows it to be compressed down to 10% of its original size under vacuum. This makes it more sustainable to transport the furniture from industry to store, and easier to move from store to home, and home to home.
The furniture is inspired by the effect of globalization on our increasing mobility, and the impact of urbanization on the decreasing size of our living spaces. 10:1 hopes to accommodate these new ways of living by creating ease in our nomadic lifestyle where we move from place to place, or may change the living spaces in our home.
The property of the furniture also fits our globalized ways of production, where things are being produced far away from where it is being sold. 10:1 offers the possibility of minimizing our carbon footprint by not transporting air across the globe.
Open and closed spaces are the contradictions that constitute the essence of architecture. Isolation is conducive to rest, self-reflection and concentration that are necessary to achieve mental and spiritual comfort. A closed, individual space gives the human a sense of security and allows him to identify with it. In turn, open spaces support a sense of freedom, creativity and process of integration with the society. There is no golden rule, which simply says what kind of space we need to live comfortably. Comfort is a variable mixture of physical, emotional and intellectual feelings depending on each other, which makes it impossible to measure.
I decided to beat the dualistic problem of human's space needs by creation the possibility of interior's personalisation. I designed a compact screen- NANASHI.
Dressing room's spaces are often replaced by wardrobes with clothes. However, there is a lack of space where you can feel comfortable in daily intimate activities. In addition of being women's assistant, Nanashi can play the role of mood lighting or temporary partition wall. Besides that, there are also hangers and a mirror that can easily pop-up from the wooden part of the furniture. Thanks to its small size after folding, easily fits to the car's trunk or wardrobe.
To find an inspiration for form of my screen, I decided to make an mind-map. It led me from word SCREEN through JAPAN, so -of course- GEISHA was the very next one and finally- HAND FAN. This inspiration was perfect for my previous establishment- small, light-weight and light- looking form. The biggest challenge of this project was to find perfect material for huge fan and find the way of its smooth folding.
Reading a book, having a coffee, watching a show, taking a nap... a sofa is much more than just a furniture for seating. And yet, with such a flexible nature, its design remains to be very rigid, symmetric and confined. Pebble is an experiment that aims to rethink the traditional configuration of a sofa and explore the possibilities of this object.
The main idea was to create a fun and dynamic element that will extend beyond its boundaries embracing the adjacent furniture and inviting the user to find their preferred spot... Just as we would do on a pile of rocks in nature.
Fabio Vogel – 'Bronco'
Engvall & Moen – 'In Circles' lamp
Andreas Vang - 'Tectonic Watch'
Ditte Buus Nielsen - 'Hedge'
Christine Rathmann - 'Harry'